Sunday, 30 December 2012

Welcome to Weirdsville


Weird stuff happens.

Half the world looks at it and doesn’t think it’s weird at all. They may not know the precise nature of the logical explanation that will explain it all away, but they’re certain it’s out there. So they don’t waste any more precious thought on the matter. Then, of course, there’s the other half of the world. The half that I inhabit. Let’s call it Weirdsville and assume it has a Reading postcode.

The people of Weirdsville see weird stuff happen and they know that it isn’t normal. They know that it can’t be explained by conventional means. So they consider it carefully. They wonder about it and then ponder upon it, just for good measure. And after a few moments connections start to emerge. Connections that can’t be ignored. Connections that are definitely a bit… weird.

Take yesterday evening. There I was, doing the ironing and listening to the Lamb Lies Down on Broadway.  In Surround Sound (in case you were wondering). I picked up my favourite shirt from the heaving pile of laundry and spread it out on the ironing board. And that’s when I noticed it. A perfectly round hole in the breast pocket. I think I said something appropriately eloquent, like “Bugger”. Picking up the shirt to investigate further, I spotted the singe marks that suggested this was a burn hole. I noted, too, that said hole had gone through both the pocket and the shirt beneath. Now, at this point those folk who don’t live in Weirdsville would be shrugging it off and moving on with their lives. But not me. No, as a loyal citizen of Wierdsville I’m legally obliged to consider it very carefully before moving on to wonder about it and then ponder upon it. Just for good measure.

Isn’t it weird, I thought, how the hole – had I been wearing said shirt – would’ve gone straight through to my heart? Like I was being struck by an assassin’s bullet? Fanciful for sure, but I mentioned this fact to Mrs B, who never used to be a citizen of Wierdsville but is now a card carrying member of the Weirdsville National Guard. “Mmm,” Mrs B considered, intently, and then wondered and pondered on the matter for a bit. She even mused a bit too, just for good measure (probably because she was sitting in the bath at the time). “That’s not a bullet hole,” she said (although not with the comedy accent you’ve got going on in your head). “It’s a cigarette burn.” Job done, she nodded sagely and returned to the suds.

At this point those people who aren’t citizens of Weirdsville (just outside Reading) would nod sagely and declare the mystery to be solved. It was surely a cigarette burn. Nothing weird in that. No, Sir.

Trouble is, neither of us smoke and I can’t think of any recent situation where I’ve encountered someone who does. So how does that work then? And then, of course, being the loyal citizen that I am, my mind starts to turn to the connections:


  • The shirt, with the cigarette burn on the breast pocket, had been drying in the utility room.
  • The utility room is located at the top of the stairs.
  • The top of the stairs is located… well, just up a bit from the bottom of the stairs (no great mystery there, in truth).
  • The bottom of the stairs is the place where, quite regularly, Frodo Brimstone and Pippin Pyewacket (the two feline members of the household) will both run, after suddenly stopping whatever it is they’re doing (playing, sleeping, bum-licking… you know the form) wherever they happen to be, in order to sit quietly and stare transfixed at the complete lack of activity at the top of the stairs.
  • The top of the stairs being the place where Mrs B and I regularly catch the very intense smell of cigarette smoke, just for a few seconds before it then vanishes altogether.

I tell you this (totally true) story not to try and convince you that weird things are afoot in the Beaney household, but to illustrate how a great many of the situations that end up in my novels come to be.

So there you have it.

Wednesday, 19 December 2012

Painted Gold on Kindle

Yes, folks, I've finally got my act together and Painted Gold is now available as an e-book on the Kindle store on Amazon. And all for the princely sum of £1.91. It is available here.

If you've previously read Painted Gold and enjoyed it, please spread the word to anyone you might know who has a Kindle (or may be getting one for Christmas). I do hope to follow this up with versions available for other e-reader formats, but for those that have an iPad or iPhone, the Kindle app can be downloaded for free here.

Whether you've read the physical book or downloaded the e-book, please consider posting a review on the Amazon site, as it all helps. Thanks very much.

In the meantime, I'm still working on getting Fatal Sisters proof read and this will hopefully appear as an e-book early in 2013.

A Progmastictastic Weekend!


The past weekend was certainly a progtastic one. Saturday night saw me at the Barbican with Vincie da Fridge to see Twelfth Night play their final gig. It was a superb show and a fitting way to mark the end of a brilliant band that never achieved the success and recognition it deserved. I first saw them back in May 1983 at the historic Marquee club in Wardour Street and immediately fell in love with their theatrical and dramatic music. This show – covering material from ’81 to ’83 – was a heady mix of nostalgia and fresh revelations as (relative) new boy Mark Spencer stamped his own unique mark on the classics from that time.  It was quite an achievement for him to take songs that have been so indelibly stamped into your consciousness and deliver them in a fresh new way that remained totally in keeping with the mood and atmosphere of those original gigs.

Sunday night, meanwhile, saw a long-overdue link up with best bud Alex to see Frost* and It Bites do their thing at the Scala in King’s Cross. Despite doing my best to get us lost whilst driving through London (damn that SatNav!), we got to the venue in good time and bagged prime places right at the very front. Frost* were bang on form, being both musically sublime and hilariously entertaining in one tight little asterisk-shaped package. This was one of those gigs where you couldn’t help but have a big grin on your face from start to end. If the songs themselves weren’t class enough in their own right, we also had the joy of interactive Brummie Speak and Spell and a MIDI-enabled ironing board. Not to mention the sheer brilliance of Craig Blundell’s jaw-dropping drumming, Nathan King’s effortless bass playing and Jem Godfrey’s all round Frostieness.

And, of course, that John Mitchell is pretty handy on guitar too, which is just as well as half an hour later he was back on stage fronting It Bites. For me, their last album was rather disappointing so it was somewhat inevitable that their set contained some of the lower points of the weekend. But on the up side, when they weren’t plugging their new stuff the balance was made up of material from the brilliant The Tall Ships and Once Around the World albums. And let’s face it, the latter’s epic title track followed by a bouncy Kiss Like Judas is about as joyful and triumphant a finale to a wicked weekend of prog heaven as you could wish for.

And yes, I got lost driving home too (damn that SatNav!).

Wednesday, 21 November 2012

Another Halloween Story


A big thank you to those of you who dropped me a line to say you enjoyed my short story 'The Lovers'.  Having written and delivered it, I was told that it was too long for the Halloween party it was intended for, so I had one night to sit and come up with something else from scratch. I had too two strict conditions to meet - it had to be much shorter than 'The Lovers' and it had to be about ghosts. This is what I came up with: 

The Proprietor
The Proprietor of the Haunted House opens the door and greets his guests. He has been expecting them: four men.  A stag party. 
He sighs, hoping that this evening will not prove too difficult. But he knows only too well that at this hour, the group have almost certainly been out on the town for quite some time.
Still, it is Halloween, after all. These things have to be expected.
“Welcome, gentlemen, to this most haunted of houses,” he pronounces dramatically, his thespian voice well-rehearsed from many long years of repetition.
There is a momentary pause while the group stare at him, impassively.
“I don’t believe in ghosts!”
One man from the group has stepped forward to make his declaration in an almost threatening fashion, his very obvious lack of enthusiasm generating nods of approval from his friends.
“Well, I can assure you, Sir,” the Proprietor smiles, his experience telling him that this particular chap – broad and stocky, with the air of a man too clumsy for his own huge frame – is the leader of the group, “at the end of this tour, you will.”
His promise is met only with laughter.
“Looks to me like both of us will be disappointed,” the young leader declares proudly, showboating in front of his followers, “although I’ll be very pleased to be getting my money back”.
“As I said, Sir, that won’t be necessary,” the Proprietor bows, ignoring the sarcastic oohs and aahs from the party.  Without another word, he turns and leads them up the stairs to a room overlooking the street.
“In this room a young man sought escape from his torment by hanging himself,” he announces, sadly, “after framing his own brother for the murder that he had committed.”
“How pathetic!” the stocky man cries, even as one of his companions releases an uncontrolled shiver at the sight of a mannequin, gently rocking back and forth at the end of a rope. “You can see that thing hasn’t got the weight of a real body – it’s not even the slightest bit convincing.”
Shrugging his shoulders, the Proprietor leads the group on to another room, where the likeness of a man is stretched out on the bed, his chest covered in blood.
“This individual had a fondness for ladies of the night,” he explains. “A fondness that didn’t prevent him from beating them senseless on an all too regular basis.  Until, that is, he was tricked into bed by one such girl, who ended his tyranny with a knife, plunged twenty five times into his chest.”
“Oh, honestly,” the leader smirks, even as one of his friends buries his face in his hands, apparently overcome with emotion, “that blood is the wrong colour for a start.  Did you raid the kitchen for that tomato ketchup?”
Ignoring the giggles echoing behind him, the Proprietor leads up another flight of stairs to the attic. Here, some of the bricks have been removed from a wall to show a single hand poking through, it’s nails all broken and bloody.
“This,” he explains, “was a petty thief who tried to double-cross the local criminal masterminds. They eventually caught up with him, drugged him with a sleeping potion, then walled him up here, alive.”
“Obviously, the budget was getting a bit tight at this point,” the stocky man laughs in a mock whisper, unperturbed by the fact that no one else laughs with him.
Exiting the attic, the Proprietor pauses on the landing and peers over the rail to the ground floor, far below.
“And this was the saddest loss of all,” he sighs. “A young man, on the morning of his wedding, too excited at the prospect of marrying his sweatheart.  He tripped over his own feet and fell down the stairs, breaking his neck.”
The stocky man follows the proprietor’s gaze and looks down, expecting to see another mannequin twisted into a grotesque parody of a broken body. But there is nothing there, save a cold, empty floor.
“That’s it,” he cries, frustrated and disappointed. “I told you I’d be wanting my money back. This tour has been rubbish.”
After a moment’s consideration, the Proprietor nods. “Fair enough,” he sighs, producing a piece of paper and a pen, “if you will just fill out the appropriate paperwork.”
But the man doesn’t take the form. No matter how hard he tries, he cannot move his arms. Not only that, he can’t turn his head either.  And, as he tries to move forward, his legs suddenly give way beneath him. Without understanding quite how, he finds himself sprawled on the floor far below.
The Proprietor walks up and places the pen and paper beside his face.
“I’ll leave it up to you,” he nods, before turning and walking away.
Despite his predicament, the man just manages to catch sight of the document. It is headed Residents’ Complaint Form.
But of course, the clumsy, stocky man no longer has need of it.
For now, he truly does believe in ghosts.

Copyright Justin Peter Beaney 2012

Monday, 19 November 2012

Forgotten Soundtracks to Unspoken Rhymes

By the way, while I wasn't in the mood for writing fiction I wasn't in a complete creative vacuum.  As the words weren't flowing I turned my attention back to my 'first love' and attempted to create some new music. If you want to hear some of the results, please check out:

http://soundcloud.com/justin-peter-beaney

My original intention was to play all the guitars and keyboards for real (and possibly even the drums) but although there is some live playing (particularly Song for Tia) I soon realised my chops aren't what they used to be and it sounded pretty bad.  So, in the end, I resorted to programming most of it.  That gives everything a bit of a clinical, wooden feel but it was really the only way to get anything down in something close to listenable form, and makes it far easier to play around with the arrangements.  Some of it just about works, some of it probably doesn't.  My own personal faves are the second half of Final Words leading into Theme from Elektro Shock and the middle 'jam' section of Pavor Nocturnus.

As soon as the ideas for fiction started flowing again I put the music to one side. Needless to say, there hasn't exactly been a wave of teeth-gnashing or a deluge of protesting howls at the lack of any follow-up, so I think I'll probably just stick to the stories from now on.

Anathema vs Opeth

On Saturday night Mrs B and I went to Portsmouth to see Opeth and Anathema and had a blast! Actually, the idea was to go and see Anathema who just happened to be supporting Opeth and they did not disappoint. It was the first time we'd seen them live and they were tight, powerful and even more hypnotic than they are on their albums - it was such a shame that their set was all over so quickly. We hung around for Opeth, feeling very out of place in a sea of black t-shirts, black jackets and black jeans and we only really expected to watch a song or two and then head for the exits. Obviously, they're known for being heavier than a ten ton heavy thing and have a sort of doom-and-gloom-death-metal sort of image (those who like doom-and-gloom-death-metal will no doubt object) but I wanted to check them out because I'm such a fan of the Storm Corrosion album, featuring Opeth main-man Mikael Akerfeldt along with Steven Wilson. And they were an absolute revelation - quite superb in every department. Akerfeldt was such a good front man - he had us in stitches with his banter in-between songs - while Martin Axenrot was just amazing on drums. So a lovely slice of serendipity there to go with a great performance from Anathema.

Sunday, 11 November 2012

A Cautionary Tale for Samhain


I was recently asked to come up with a short story that could be read out at a Halloween party. This is what I came up with - see what you think:

The Lovers 

There once was a young couple who met, fell in love, and got married. The pair were both bright, hard-working and successful, and everyone agreed they had a long and prosperous life ahead of them.

Our story begins at the end of October when, returning home from a luxury honeymoon in the sun, the young couple arrive back at their impressive country home. While they’ve been away, it seems that Winter has decided to pay an early visit – leaves are dropping from trees and the late afternoon air is crisp and clean, allowing the caw-cawing of a crow perched atop the chimney pot to echo, clear and far around the rolling grounds.

After paying the taxi fare, the pair head inside to escape the cold, where their attention is quickly drawn to the sight of their wedding gifts, piled high in the centre of their lounge – the glittering paper and beautiful bows betraying the affection and warmth with which the young couple are universally held. 

Those presents would have to wait, however, as the husband’s first order of business is to set a fire in the grate and get them both warm.

“Hold on,” the wife warns, “we haven’t had the chimney swept this year.”

Dismissing her concerns with a laugh, the husband sets the kindling ablaze and sits back to admire his handy-work. 

Watching the fire take hold, the wife wrinkles her pretty little nose and winces with concern. “I do hope the crow up on the chimney won’t mind,” she says.

“We’re not running a bloody bird sanctuary!” the husband puffs incredulously, his voice heavy with ridicule. “Of course it won’t mind – crows get cold too, you know.”

The young wife shrugs, still not convinced, but all thoughts of the bird are soon forgotten – there are presents to open, after all.  Ripping the stylish paper from boxes, large and small, the couple delight in the modern kitchen appliances and revel in the chic ornaments, before cooing over luxury fabrics and admiring the high-quality knick-knacks with no discernable purpose that no executive house could surely do without.

And then the wife lifts a small, strangely shaped object, wrapped untidily in plain brown paper.  The husband immediately sneers at the look of the gift and demands to know from whom the modest gift has come.

Inspecting the package, the wife identifies a sticker, stuck onto the wrapping in the way a jar of home-made jam might be labelled.  After a moment trying to decipher the spidery script, the wife confirms the name of the giver: Nanny Bessom.

“Must be someone on your side?” she suggests, not recognising the name.

Her young husband suddenly laughs, as though the punchline to a joke has just been explained. It seems the mystery beneficiary is an old lady – a “mad old hag, smelling of stale piss and cat food”, to use his colourful description – that they had been obliged to invite to their wedding at the instance of his own dear mother.  It seems this Nanny Bessom had helped raise his mother when she was young, and she had always kept a soft spot for her, despite her rather unconventional demeanour.

Encouraged by her husband to open the present, the wife pauses to read another jam label, stuck untidily on the base. In the same, scratchy handwriting, it reads:

Always share in your love together, and be humble, happy and holy forever’.

Ignoring her husband’s sarcastic guffawing, the wife tears away the brown paper, revealing a delicate wooden carving of two lovers, wrapped in a tight embrace.  The statue certainly leaves little to the imagination, the naked female figure wrapping her thighs tight around her husband’s hips.

The young wife holds up the explicit carving so that they can both inspect its charms.

“What sort of person thinks that something like that is an acceptable present?” the husband declares, before adding that, in all probability, the several million copies of the item had been mass-produced in some dark, third world sweatshop, each of them equally repulsive.

The wife isn’t so sure, pointing out the quality of the carving and the beautiful texture of the wood, speculating that it might actually be a piece of hawthorn.

“If you ask me, it’s probably not even wood,” the husband scoffs, snatching the statue from his young bride’s hands. “But if it is? Well, the best place for it is on the fire.”

As the statue of the lovers is enveloped in the roaring flames the wife initially takes exception to her husband’s action, but the argument never has chance to develop as, a moment later, thick smoke begins to fill the room, spewing from the chimney.

“I told you,” she reminds her husband, “that crow has probably built a nest up there.”

But of course, as the husband points out with an untidy frown on his brow, if the chimney had been blocked, the smoke would surely have filled the room much earlier, when he first set it ablaze.  Whatever the cause, the couple are left with no choice but to douse the flames and throw the lounge windows open wide, inviting the bitterly cold air to rushes in and embrace them.

All is not lost, however, for the husband reminds the wife that the central heating is on and the bedroom will be nice and warm.  With a twinkle in his eye he also recalls that she had picked out some new, expensive lingerie for their honeymoon, but had forgotten to pack it in their luggage.

“Give me ten minutes,” the wife laughs, disappearing into the bedroom. 

Suddenly alone, the husband half-heartedly attempts to tidy the discarded wrappings from their haul of presents until, after just five minutes, he knocks on the door and enters the bedroom.

“Times up, ready or not!” he cries, only to be taken aback by the sight of his wife sat on the end of the bed, still dressed in her travelling clothes.  Her eyes are shut tight and her hands are clamped hard over her ears.

“Everything all right?” he enquires, reaching out to put a comforting arm around her.  Alas, at the moment his hand touches her shoulder, she jumps to her feet, her face full of fear.

“What’s wrong?” he asks, taking her hands into his own and finding them to be as cold as ice.  Getting no immediate response, he walks over to check the radiator and finds that too, to be stone cold.

As cold, in fact, as the grave.

Returning to his wife’s side, the husband asks why she didn’t come to tell him that the central heating wasn’t working.  And, of course, he also asks why she had been sitting there with her eyes shut and her hands over her ears. Initially, she refuses to answer, but eventually she takes a deep swallow and begins to tell her story.

Hesitantly, she explains that when she had entered the bedroom, she had found a crow, tapping its beak against the mirror fitted above her dressing table.

“A crow? Are you serious,” the young man laughs. “What happened– did you chase it out of the window?”

“I couldn’t…” she whispers, “the crow was in the mirror.”

The husband frowns and asks her what she means.

Taking several deep breaths she explains, once again, that the crow wasn’t there in the room, it was inside the mirror, looking out at her and tapping on the glass. 

From the other side.

The young man pauses, trying to digest what his wife is telling him.

“That’s stupid,” he says.

“Don’t tell me I’m stupid!” the young woman lashes out, spinning away from her husband.

“But… you know that can’t be right,” he laughs, disbelievingly.  After all, as he carefully explains, she must be very tired after all that travelling and she was probably just mistaken – spotting an odd reflection in the glass and not realising what it was.

The young man is unable to elicit any further conversation from his distraught wife, and eventually leaves her to her own thoughts.  Retiring to the garage he tries to fix the central heating but, after an hour, the radiators remain stubbornly cold.  Returning to the lounge, he finds his wife curled up on the sofa, wrapped in a coat, hat and scarf.

Thankfully, she is in a slightly sweeter mood and immediately apologises for her earlier temper, explaining that he was probably right – she simply imagined it all, what with being so tired from the travelling.

And then, upon deciding they both need some sleep, they head back to the bedroom together. The husband reaches out to take his wife in his arms but she simply responds with a sharp “Goodnight” and climbs under the duvet, still wearing her coat.

“Sweet dreams,” the young man shrugs and, in the way of such things, falls straight off into a deep sleep. 

A sleep as deep, in fact, as the grave.

Sometime later, he is stirred from his slumber by a hand, frantically shaking him by the shoulder.

“Wassup,” he yawns, coming out of his dream.  The type of dream you might recognise, when the strangest of images immediately leave your consciousness on waking, leaving only an eerie sense of foreboding lingering on the edge of your senses.

“Listen,” the wife hisses, before explaining that the crow is tapping on the mirror again.

Unable to hear anything, the husband reaches for the bedside lamp, but no matter how hard he flicks the switch on and off and on and off again, the room remains defiantly dark. 

As dark, in fact, as the grave.

“Just there, did you hear it?” the wife whispers, gripping her husband’s arm with tight, panicked fingers.

The young man sighs, explaining that the noise was only his own efforts to turn on the lamp.  But she insists otherwise – it was definitely tapping, coming from the mirror.

Resigned to his fate, the young man slips from the bed, explaining that he will go and fetch a torch. It’s a few minutes later when he returns, balancing a candle on a saucer, the flickering flame sending shadows dancing around the room. 

“Even the bloody torch is dead,” he explains.  And dead it was.

As dead, in fact, as the grave.

With the candle light sending more shadows dancing across the walls, the husband carefully surveys the four corners of the room before solemnly declaring the space free of birds.

“I… told… you…” the wife shudders. “The crow… is in… the mirror…”

The husband makes to reply but then wisely catches himself, suggesting instead that he removes the mirror from the dresser, and takes it outside.

The wife readily agrees, and moments later he disappears with the offending glass.

“Can we go to sleep now?” he requests, returning from his errand.

The wife smiles and agrees wholeheartedly, explaining she feels much, much better now that the mirror has gone.  And so the couple wish each other good night and once again the husband returns to his dreams. Back to the chase.  Back to the fear that, whatever terrible end was going to befall him in his nightmare, there was nothing he could do to stop it.  It was surely inevitable. 

As inevitable, in fact, as the grave.

And then the wife wakes him again, bringing him back from his dreams even more violently than before.

“What is it now?” he asks.

Her voice can barely be heard as she explains that she can still hear, from outside, the bird tap-tapping on the mirror.

Truly exasperated, the husband explains that there are lots of birds outside – they live in the country, after all, and that’s the sort of thing one really does have to come to expect.  “I can’t go out there and scare away every bloody creature that makes a noise,” he declares.

The wife – her face deathly pale and her eyes wide with terror as she strains for another sound of the crow – patiently explains that it isn’t about the birds and the animals and the countryside. 

It’s about the mirror.

“You need to smash it,” she demands.

Realising that this is the only way he was going to stop all this nonsense, the husband reluctantly agrees.

And a short while later, he returns to the bedroom, only to catch sight of his wife, caught in the flickering glow of the candle, disappearing into the en suit bathroom.

“That’s okay, hun,” he calls, feeling more than a little under-appreciated. “It’s no problem. Smashed up mirror. Just like you wanted.  And if you think it’s cold in here, it’s bloody freezing out there, I can tell you…”

He pauses.  His wife does not respond.

“Hello?” he sings, calling out her name.  And, for just a moment, he thinks he can hear an odd sound.  He calls again, and goes to knock on the door.  No response.  And then he catches the unusual sound once more – like a scraping or clawing, coming from the bathroom.  He tries the handle.  The door is locked.

And at this point, it’s safe to say, time for husband seems to stand completely still. 

As still, in fact, as the grave.

For it is then, at that particular moment, he suddenly realises that the strange scraping sound has now stopped, and in its place he can now hear a gentle tap-tap-tapping, as if a fingernail – or a beak, perhaps – were knocking on a hard, cold surface.  And as this thought registers in his head he remembers, too, that inside the bathroom, there is another mirror.

Filled with concern, he calls for his wife once more, flinging his shoulder hard against the door.  And again.  And then again once more until the frame splits and the door spills open, the sudden swish blowing out the candle flame and sending the room into a thick and constricting darkness.  But even this cannot conceal the shadow of the bird as it swoops out of the bathroom.

The husband runs.

Blind in the ink blackness, crashing into furniture and bounding off walls, he stumbles down the stairs, the bird’s wings flapping around his head, its claws ripping at his skin and its beak tap-tap-tapping at his face.

Thinking only to get outside – out into the moonlight and the open air, away from the frenzied attack of the crow – he throws himself at the back door.  But, as he manages to wrench it open, he somehow looses his footing and stumbles over the threshold, spinning out of control and headlong towards the broken remains of the very expensive dressing table mirror.

*

Afterwards, those that visited the house always said the place somehow felt very odd. Of course, for the neighbour who found the young man in a pool of blood, a six-inch shard of broken mirror stuck through his throat, this is perhaps understandable.

For the policemen who were called to the scene and went inside to find the body of the young woman, this is understandable too – not just because of the way her finger nails were shredded and splintered, as though she’d tried vainly to scratch her way from a nightmare, but also the way her eye sockets were left bloody and empty as if scavenging birds had eaten their fill.

But it was the two workmen who had the strangest tale to tell.  They had come to clear the house of all its contents, including the modern appliances and the fine fabrics and the luxury knick-knacks, and all those wedding presents, left untouched and unwrapped, stacked in the middle of the room.  And when their work was done and they were just about to leave, a sweet old lady had approached them in the driveway and asked if she could just take a quick look inside.

She explained that she had seen the fine house from a distance many times, and had long wondered just what the interior was like.  Knowing they had cleared every last object from every last room, the workman thought no harm could come of it, and they let the old lady in.  And just moments later she came straight back out again, thanking them kindly for their assistance.

And even now the two workmen still argue.  For one of them claims that, as the old lady stepped back out from the doorway, she cradled in her arms a carved, wooden statute, possibly – although his glimpse was no more than fleeting – of two lovers, wrapped in a sensual embrace.

While the other said, no – that in fact, the object she cradled was a black crow, and that as she walked away she lovingly stroked its feathers, like one might stroke a contented pet cat.

And no matter how hard either of them was pressed, neither would change their story, each insisting that it was his final word on the matter.

As final, in fact, as the grave.


Copyright Justin Peter Beaney 2012 

Saturday, 10 November 2012

Terry Bozzio @ The Garage

Just got back home after seeing the amazing Terry Bozzio play a breathtaking solo set at the Garage in Highbury. This man is an absolute genius! It was an absolute privilege to be there and to witness something very special indeed.

This was the third time I'd seen Terry in action this year, having gone over to see him in Boston and New York back in May, playing with Eddie Jobson and John Wetton in the band UK. To see that line-up performing together for the first time in 33 years was a dream come true (and an opportunity I simply couldn't miss), and it was great to hear Terry today talking enthusiastically about them working together again, including the possibility of a return to Europe.

It was shame to see so few people there today, but I suppose the matinee timing might have put a few people off, and in truth it did feel a bit weird.  Still, if a tasty slice of seriously top-drawer prog like UK doesn't exactly bring in the punters, the idea of watching one man bash away on the drums for an hour and a half at lunchtime probably isn't going to have mass market appeal (ask for a show of hands when you're back in the office on Monday - you'll see).

But that's probably just as well. For me, it was ninety minutes of pure heaven. What better way to spend a rainy Saturday afternoon than to see a master magician conjure hypnotic rhythms from so many different continents and cultures with his monster kit:








Thursday, 8 November 2012

Hello World...


It’s been a few years since I took down the justinpeterbeaney.co.uk site and decided that all that “trying to be a writer” malarkey was a luxury (both financial and emotional) that I couldn’t afford. But you know what? The bug seems to have snuck up on me again lately, an affliction that certainly took me by surprise, I can tell you. Of course, I now look back on the period of time when I genuinely thought I might actually end up being a popular and successful novelist with a certain degree of… well, embarrassment. Who on earth was that naïve and misguided individual?  You know, the one with the over-inflated sense of his own talent and a complete lack of insight into how the literary business really works. Ironically, that embarrassment is made worse by the fact that I’d already been there once before when, as a teenager I was totally and utterly convinced I was going to be a rock star. At least I never thought I was going to be an astronaut. Although of course, there’s still time…

Anyway, refreshed with new enthusiasm just for the simple pleasure of making up stuff and writing it down, I thought I might crawl out of the dark hole I’d stuck myself in and, first and foremost, remind people that, yes, I did actually once write some of that aforementioned stuff. And that one or two people (and it literally was one or two, even if they seemed for the most part to be in countries other than England, which was always rather weird) seemed to quite like it. A bit.

So, good to my word (I do like that about me) here is the previously forewarned reminder…

Kasdeja’s Children is still available from… well, lots of on-line places actually (do a search on Google, it’s true!), but as an example, those famous Amazon-type peeps usually seem to have a copy (click here). Although I have just noticed you can get a copy for £0.01 in the Amazon Marketplace, which is always a crush to the ego.

Painted Gold, meanwhile, is available from… well, me. Get in touch if you’d like to buy a copy. It’ll mean I have to go up into the attic and root around for a bit to find one but… hey, who am I kidding, there are boxes of them, so it shouldn’t take too long.  And don’t worry, it’s not damp or anything up there, so they all still look shiny and new. My biggest fear is that I’ll trip over a copy of my very first (and, thankfully, unpublished) novel Who Will Catch Him Falling? which would be a scary and rather traumatic experience. Believe me, it really would.

And for the future? Well, my first task at hand is to get Painted Gold available on Kindle. Is there a demand for this, I ask?  Who knows, but those lovely Amazon people can do this for nothing (“ah-ha!” you cry), so why not, eh? Once I’ve got that organised (it does look a wee bit complicated), the next step is to get the totally unpublished Fatal Sisters set up for Kindle publication too. This was a novel I completed a few years back, but could never get published without going down the vanity route once again and spending more money that (a) I couldn’t afford and (b) I could otherwise have been spending on cake. And cheese. And prog, of course (how could we forget, eh?).

And then there’s the two (yes, two!!!) novels I’m now writing, simultaneously. And when I say simultaneously, I don’t mean dressing up with a cape and standing with arms outstretched as my fingers dance a twisting counterpoint over 2 squared-up keyboards – ye Gods, I’m not that prog – I just mean, you know, dipping into now and then, when I feel the urge, one way or the other.

Should anyone care…